THE MARTIAN CHRONICLE:
New Year, New MARZ

January 2023
 

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New Year, New MARZ…

Hi There,

Everything that we’re were able to accomplish last year was due to your constant support and friendship of the company. We're proud of continuing to be part of the world's best films, TV shows, animations, ads and experiences. We're grateful for the trust of our clients and the excellence of our artists. 2022 was another great year for Rodeo rife with monsters, out-of-this-world environments, and mind-bending magic.

 

Let’s take a look at our year at a glance:

Netflix’s Wednesday

It’s no easy feat taking on the task of recreating one of pop cultures most iconic characters… but we don’t back down from a little stress. The Thing is… blah blah blah

Netflix’s Guillermo Del Toro’s Cabinet of Curiosities

Speaking of creating iconic characters… blah blah blah

 
 
 
 
 

Your Benefits:

 

Enhanced Collaboration

Our Art Direction will result in you getting more iterations of your vision with a quicker turnaround allowing for a more seamless creative decision making process.

Time Savings

By establishing a clearer vision and communicating it to MARZ early in the production process, it dramatically shortens the iteration loop which heightens efficiency for both parties.

Cost Savings

With less time being spent on the iteration loop due to early and clear communication, the process is fast and efficient resulting in lower costs for our clients.

 
 
OUR ART DIRECTOR: CHRIS DIPAOLA
 

With over a decade of experience in the film industry and a foundation in traditional art, Chris DiPaola has honed his skills at top-tier studios such as Industrial Light & Magic, Digital Domain, and Weta specializing in all aspects of asset development – from concept, visual development, to production modeling and sculpting. He has extensive experience working closely with department heads and clients to deliver high end content from the early stages of design, to asset development, to shot specific work.

By leveraging the skills he has acquired from his background working on both sides of production, Chris’ unique sense of design gives him the ability to create dynamic 3D concepts and keyframe art that help to bring a project’s vision to life through his passion for visual storytelling.

Chris’ credits include films such as Morbius (2021), Terminator Dark Fate (2019), Avengers: Endgame (2019), Aladdin (2019), Solo: A Star Wars Story (2018), Thor: Ragnarok (2017), Valerian and the City of a Thousand Planets (2017), Transformers: The Last Knight (2017), Doctor Strange (2016), Captain America: Civil War (2016), and many more.

In his spare time, Chris enjoys photography, staying up to date with the latest tools/technology, and personal projects that utilize his diverse experience, traditional background, and passion for artistic visual storytelling.

 
 
 

 
 

MARZ

(monsters-aliens-robots-zombies)

(n) a state-of-the-art VFX studio and AI house with a focus on premium TV series

(see also: Moon Knight, Ms. Marvel, Wednesday, Carnival Row, WandaVision, Shadow & Bone, Watchmen, The Umbrella Academy S1,2,3.)